American Period Furniture 2007  Online Extras

SAPFM Members
in the News

Corona Plumosa by Nancy R. Hiller will be included in the Indiana State Museum's studio furniture exhibition, scheduled to run from October 2013 through June 2014. Using a blind jury process, Professor Wendy Maruyama of San Diego State University selected 23 outstanding examples of functional studio pieces by Indiana artists in traditional and contemporary designs.

The Highland Woodworker’s first Moment with a Master of the 2013 season features 2008 SAPFM Cartouche award recipient Alf Sharp. Find out how Alf’s fascination with the centerfold of a British secretary attracted him to furniture making. Learn more as we visit with Alf in his Tennessee home and shop on the next Highland Woodworke, available after February 23 at Highland Woodworker.

Mary May describes how to carve foliage on a spindle in an article in Popular Woodworking. "Carving an Acanthus Leaf on a Turned Post" is in the October 2012 issue.

Nancy Hiller has an article in the September/October issue of Fine Woodworking (#228), "Arts & Crafts With an English Accent" The article details the making of a writing desk that she designed based on original circa-1903 drawings of washstands produced by the Harris Lebus furniture company of London. Nancy found copies of the plans at the Geffrye Museum in Hackney and obtained scans of the original drawings through the National Archives.

Freddy Roman shows how to quickly plot an ellipse using simple geometry in the August 2012 Popular Woodworking.

Charles Bender explains three variations of the trifid carved foot prevalent in Philadelphia in the August 2012 Popular Woodworking.

In the July/Aug 2012 issue of Fine Woodworking, Alan Turner describes how to make crosscut sleds for the table saw to accommodate a variety of cutting applications.

W. Mickey Callahan shows how he uses an overarm jig at the router table to produce curved mouldings with complex profiles. His article appears in the July/Aug 2012 issue of Fine Woodworking.

Eight members of SAPFM have been selected into Early American Life Magazine's 2012 Directory of Traditional American Crafts. Their work and contact information appear in the August 2012 issue. Congratulations to Dennis Bork, Vincent Chicone, David Diaman, Benjamin C. Hobbs, Tony Kubalak, Bob Stevenson, Matthew Wolfe and Fred Chellis !

Stulmacher's Tools

The Chairmaker Part II

15. Lastly, the chairmaker planes the Spanish cane, with which he canes the seats and backs of the chairs, in the following manner with the cane plane (Rohrhobel), fig. XV. The Spanish cane, upon purchase, is approximately one-half inch thick and six to ten yards long. It has, by its nature, bumps and indentations here and there and these must be trimmed by the cabinetmaker with a small knife (Messer) fashioned from an old sharp straight razor (Barbirmesser). With this same knife the chairmaker splits the cane down its length in four equal parts. He roughly cuts off the inner core [Peddig] from each quarter with the knife. The cutoffs are used for caning chairs by unscrupulous chair merchants. Each quarter the cabinetmaker divides again into at least two equal parts, dividing the whole cane into at least eight equal parts. Therefore, he calls this split an "eight part." Should the chair be finely woven, he splits each cane into twelve and sixteen parts. Each eighth, twelfth, and sixteenth of the cane is called a "thread" in this workshop, and so it shall be called henceforth. Such a "thread" is now planed on its rough edge with a cane plane in the following manner. To a protruding wood block of the [cane] plane, a & b, fig. 15, is connected a horizontally fastened blade, d, by a bolt to the housing, b & c, so that its cutting edge is fixed somewhat at an angle off of the housing, c & b. Between the block, a & b, and the housing, b & c, lies a spring that raises the block, a & b, when one unscrews the wing nut, e. The protruding block, a & b, is placed on a screw spindle. From this it is evident that the blade, d, which is connected with a & b, is moved closer to, or away from, the housing when one screws the wing nut up or down. By this contrivance of the plane the chairmaker can plane the cane thread thick or thin according to the fineness or coarseness of the weave. He fastens the cane plane with the screws, g & h, into two holes of the [plane] bench. Then he pulls each cane thread between the housing, b & c, and the blade, d, in such a manner that the smooth side of the cane comes to lie on the housing, b & c, so that the blade, d, planes the rough side of the cane thread. The chairmaker sets the required width of the cane thread with the reducer (Schmaler) fig. XVe. Such a reducer consists of two vertical standing blades which are inclined at an acute angle opposite one another. They are fastened in the housing, b & c, with a wedge, f, yet so that the chairmaker can push them in the direction, f & e, that he wishes. He can thereby increase or decrease the distance between both blades according to whether the cane should be wide or narrow. Then the chairmaker pulls the cane thread through the space between both blades, thereby cutting it to width. There are all together four reducers on every cane plane, which are illustrated on the cover plate, because the chairmaker sometimes uses a coarse and fine weave and sometimes a coarse and fine cross stich (Kreutzstich) to cover the chair. The following brings this latter to light. The chairmaker is lastly in possession of a common turner's lathe, along with the necessary turning chisels. He turns on this lathe the required cross (stretchers) of some chairs, p. 185, which today are no longer fashionable. He also does the sculpted (carved) work on the chairs himself, except in the case when he wants the piece to be artistically and cleanly done, or when time fails him. In both of these cases he gives it over to the sculptor's (carver's) work, which we have already discussed.


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