American Period Furniture 2007  Online Extras

SAPFM Members
in the News

Bob VanDyke writes about the discipline required to run a woodworking school in the Pro Shop column in the July 2010 issue ofWoodshop News.

Alan Turner describes how he builds a cabinetmaker's bench in the June/July issue of American Woodworker. He also writes about tapping wood with machine screw threads to make shop jigs.

Justin Kauffman won the Best in Show Award for body of work at the Baltimore Fine Furnishings Show in May.

Craig Bentzley writes about techniques for aging cherry in the June/July 2010 issue of Woodcraft Magazine.

Dennis Chilcote consulted for an article on basket making in the June/July 2010 issue of Woodcraft Magazine.

Herb Lapp's article on Philadelphia Windsor chairmaker Joseph Henzey appears in the April 2010 New England Antiques Journal.

An article on the William & Mary style by Charles Bender was published in the April 2010 Popular Woodworking.

Kari Hultman's article on reclaimed sunken mahogany appears in the April 2010 Popular Woodworking.

Jerome Bias has written about free black cabinetmaker Thomas Day for the Arts & Mysteries column in the April 2010 Popular Woodworking.

Tony Kubalak's bombé chest is featured in the Reader's Gallery section of the April 2010 issue of Fine Woodworking.

Dennis Chilcote's Shaker-inspsired basket appears in the Reader's Gallery section of the April 2010 issue of Fine Woodworking.

In the April 2010 issue of Fine Woodworking, Jeff Headley describes how he makes and installs fluted quarter columns.

Stulmacher's Tools

The Chairmaker Part II

12. Round and other surfaces of the wood, the shape (figure) of which does not allow them to be planed, the chairmaker works with the drawknife (Schneidemesser) that was already discussed in a previous chapter, p. 142. Next he uses the rasp to even out these surfaces. He has flat and round rasps, "bird tongues," and various other rasps of graduated sizes and shapes so that he can work any desired surface with one or the other. The desired surfaces are additionally scraped with the scraper (Schabeissen), fig. XIII. Every scraper has straight, curved, and hollow edges, so that the professional can scrape flat, as well as convex and concave surfaces. The chairmaker scrapes large pieces of wood with the scraping blade (Schabeklinge), fig. XI, because he can comfortably grasp the blade with both hands on the wooden handles and, exerting his full strength, complete the scraping easier and faster. The blade is prepared with a three-edged burnisher.

13. Along with the common hand square, the chairmaker can also not do without the familiar carpenter's square (Winkelmass), p. 146. It often occurs that he needs to lay out two acute angles of the same size, and in this case it is easier for him to use the bevel gauge (Schiefmass), fig. XVI. It is similar to a common square except that the arm, a & b, is pinned to the arm, a & c, and both are connected by a bolt. One can therefore move the arm, a & c, in either direction up and down, and thereby make acute angles of any size.

14. The chairmaker seldom uses the gimlet (Handbohrer) and brace (Draufbohrer) because he joins the wooden parts with mortise and glue. With the brace, fig. XII, he drills the holes in the seats and backs of chairs though which the cane is pulled for caning. The brace has a wooden frame, a, b, & c, into which a small spoon drill, c, is inserted. The top moveable knob, a, the chairmaker places against the right shoulder and moves the frame of the drill, a, b, & c, with the left hand.


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