American Period Furniture 2007  Online Extras

SAPFM Members
in the News

Bob VanDyke writes about the discipline required to run a woodworking school in the Pro Shop column in the July 2010 issue ofWoodshop News.

Alan Turner describes how he builds a cabinetmaker's bench in the June/July issue of American Woodworker. He also writes about tapping wood with machine screw threads to make shop jigs.

Justin Kauffman won the Best in Show Award for body of work at the Baltimore Fine Furnishings Show in May.

Craig Bentzley writes about techniques for aging cherry in the June/July 2010 issue of Woodcraft Magazine.

Dennis Chilcote consulted for an article on basket making in the June/July 2010 issue of Woodcraft Magazine.

Herb Lapp's article on Philadelphia Windsor chairmaker Joseph Henzey appears in the April 2010 New England Antiques Journal.

An article on the William & Mary style by Charles Bender was published in the April 2010 Popular Woodworking.

Kari Hultman's article on reclaimed sunken mahogany appears in the April 2010 Popular Woodworking.

Jerome Bias has written about free black cabinetmaker Thomas Day for the Arts & Mysteries column in the April 2010 Popular Woodworking.

Tony Kubalak's bombé chest is featured in the Reader's Gallery section of the April 2010 issue of Fine Woodworking.

Dennis Chilcote's Shaker-inspsired basket appears in the Reader's Gallery section of the April 2010 issue of Fine Woodworking.

In the April 2010 issue of Fine Woodworking, Jeff Headley describes how he makes and installs fluted quarter columns.

Stulmacher's Tools

The Chairmaker Part II

9. The marking gauge (Reissmass), fig. VI, of the chairmaker differs somewhat from the marking gauge of the other woodworkers. Only a single four-sided rod, c & d, is inserted into the stock a & b, whereas usually there are two rods inserted in the stock, p. 146. In contrast to this, the aforementioned marking gauge has a pin on two sides of the rod, d & e. The one pin is further from the stock, a & b, than the other, and with them the chairmaker lays out the mortise. As the mortise must be a little narrower than the tenon, the tenon is scribed without it being necessary to move the beam, c & d, in the stock, a & b. These tools have already been thoroughly discussed in a previous chapter, p. 146.

10. The chairmaker holds the piece of wood to the planing bench with the hold fast (Bankhacken) when he wants to saw off something, cut a tenon, or shape curves. The foot, a & b, fig. 10, of the hold fast is inserted in a hole in the planing bench, and smaller work pieces are pressed between [the bench] and the arm of the hold fast, a & c, thereby causing the foot of the hold fast, a & b, to tilt at an inclined angle in the hole of the planing bench in which it is placed, securely clamping the wood. The wood so clamped can be cut, being held fast by the arm, a & c.

11. Besides the usual screw clamps that the cabinetmaker is in possession of, (Vol. I, p. 72), the chairmaker has a special bar clamp, fig. XIV, that he fastens to two pieces of wood far apart from one another. Both legs, a & c and a & d, join at right angles, [and] the latter, a & d, containing a screw, c. Between the arm, a & d, and the foot, f & g, the chairmaker is able to clamp the wood pieces in the bar clamp. Since the wood pieces can be further apart from one another or closer together, the foot, f & g, on the leg can be moved up or down. It (the foot) is fitted with a rivet, h, attached to the moveable hook, b & h, and this hook can be laid into one or another of the notches of the teeth, b & c. In order that the foot, f & g, won't move during usage, it has behind g & i a tenon that falls into a groove of the leg, a & c without being fastened to it.


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