American Period Furniture 2007  Online Extras

SAPFM Members
in the News

Brian Coe has written about a Moravian Christmas pyramid and describes how to make one in the 2008 Christmas issue of Early American Life.

Mary May's carving career is the subject of a feature article in the October 2008 issue of Woodshop News.

Al Hudson's work is featured in the October/November 2008 issue of American Woodworker Magazine.

Ed Stuckey's Federal demi-lune card table appears in the December 2008 issue of Woodwork magazine.

Tony Kubalak has won the Best Traditional Design Award from the Minnesota Woodworking Guild. Tony exhibited a Philadelphia Queen Anne side chair. You can read more about Tony's honor and the chair in the August issue of Woodshop News.

Congratulations to the following SAPFM members who appear in Early American Life's 23rd Directory of Traditional Crafts: Dennis Bork, James King, Tony Kubalak, Paul Rulli, Mark Soukup, Duane Wendling, Fred Chellis, Brian Cunfer, and Jim Van Hoven. Cartouche Award winner Gene Landon served as one of the judges for this year's Directory.

Eight pieces of Bob Whitley's work from the Michener Art Museum's retrospective exhibit appear in the Gallery of the August 2008 issue of Woodwork magazine.

Walt Segl's shop is featured in an eight-page spread in WOOD magazine's special interest publication America's Best Home Workshops 2008.

Jeff Headley explains how to make a veneered serpentine drawer front with cockbeading in the July/August 2008 Fine Woodworking. In the Master Class feature, Jeff shows how to apply stringing to the same serpentine shape. Joel Ficke and W. Patrick Edwards have work featured in the Reader's Gallery.

Joshua Lane, Co-curator of Historic Deerfield, is mentioned in the May 2008 Magazine Antiques for his role in organizing the exhibition Into the Woods: Crafting Early American Furniture. The exhibition runs through 2012. Visit Historic Deerfield for more information.

Phil Lowe's McIntire armchair, Frank Woolley's serpentine bombé, and Mike Greenberg's collectibles box appear in the Gallery section of the June 2008 issue of Fine Woodworking.

Joel Moskowitz explains how he hollow grinds chisels in the June 2008 issue of Fine Woodworking.

Steve Latta compares 16 different marking knives in the June 2008 issue of Fine Woodworking.

Robert Whitley's furniture is featured through June 1 in a retrospective of his work at the Michener Art Museum. Robert is the 2002 Cartouche Award winner.

Mark Arnold writes about the Peabody Essex Museum's The Art of Woodcarving in America exhibit in the June 2008 issue of Woodwork Magazine.

Tony Kubalak's serpentine bombé and Joel Ficke's Philadelphia high chest appear in the Gallery section of the June 2008 issue of Woodwork Magazine.

Steve Latta writes about reproducing moldings in the April 2008 issue of Fine Woodworking.

Alf Sharp, 2008 Cartouche Award recipient is featured in the March issue of Woodshop News.

Peter Howell's workshop is featured in the February/March 2008 issue of Woodcraft Magazine.

Patrick Edwards writes about painting in wood in February 2008 issue of Fine Woodworking.

Stulmacher's Tools

The Chairmaker Part II

4. The following planes are used with the common jointer's bench (Hobelbank) p. 144. The jointer plane (Füghobel) of the cabinetmaker, p. 34, is called the great plane (Grosse Hobel) by the chairmakers. It distinguishes itself in two ways from the jointer plane of the cabinetmaker. Firstly, it is smaller, and more significantly the cabinetmaker when planing grasps the plane by the stock itself whereas the chairmaker holds two wooden handles fixed to the stock of the plane. Among the hand planes (Faustholbeln)4, the scrub plane (Schroff or Schruffhobel) p. 34 is seldom employed, while it serves for use only on rough and irregular (dirty) surfaces, its rounded plane iron good for only coarse removal but easily resharpened when dulled on a rough and dirty board. The chairmaker understands the art of easily smoothing rough or irregular (dirty) lumber with the hatchet in preparation for smoothing. The smoothing plane (Schlichthobel) along with its use has already been mentioned on page 33. The upright or hardwood plane (Steil or Harthobel)5 is different from the smoothing plane only in that its plane iron is disproportionally steeper. It therefore cuts only lightly, and smooths the wood superiorly when it is irregular or has knots. Likewise, its casing is ofttimes made of iron so that its sole does not wear. The toothing plane (Zahnhobel) is similar to the smoothing plane except that the edge of its iron has teeth. The woodworkers use this plane to roughen the surface of the wood for better adhesion of glue. The compass plane (Rundhobel), fig. V, likewise differs from the smoothing plane in that its stock makes a shallow curve along its length. The chairmaker alone uses this plane on bent and curved surfaces. Additionally among his planes he owns hollows (Stabhobel, literally, "staff planes"), moulding planes (Kehlhobel)6, jointer planes (Handfughobel), rabbet planes (Gesimshobel) and ogee planes (Karniesshobel, literally "cornice planes") of different types. These planes have already been described in the second chapter, p. 35. Alone, these planes only work in service when a moulding is to be worked out along a straight line. The chairmaker often fashions moulding in a shallow curve in which case instead of a plane he selects the gouges (Hohleissen) and other chisels which are named as follows.

4 The smaller hand-held planes all fall under the general heading of Faustholbeln, literally fist planes or hand planes.

5 The Steil (steep or upright) or Hart (hardwood) hobel (plane) is described and illustrated by Sprengel in the cabinetmaker's chapter. It is used on veneer woods and metal (brass and other soft decorative metals).

6 Reading from Sprengel's writing about the carpenter and cabinetmaker, the term Kehlhobel evidently includes rounds as well as other moulding planes. Various other references refer to these planes as cutting chamfers, hollows, fluting, and moulding in general. The commonality seems to be that Kehlhobel cut concave profiles.


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