American Period Furniture 2007  Online Extras

SAPFM Members
in the News

Bob VanDyke writes about the discipline required to run a woodworking school in the Pro Shop column in the July 2010 issue ofWoodshop News.

Alan Turner describes how he builds a cabinetmaker's bench in the June/July issue of American Woodworker. He also writes about tapping wood with machine screw threads to make shop jigs.

Justin Kauffman won the Best in Show Award for body of work at the Baltimore Fine Furnishings Show in May.

Craig Bentzley writes about techniques for aging cherry in the June/July 2010 issue of Woodcraft Magazine.

Dennis Chilcote consulted for an article on basket making in the June/July 2010 issue of Woodcraft Magazine.

Herb Lapp's article on Philadelphia Windsor chairmaker Joseph Henzey appears in the April 2010 New England Antiques Journal.

An article on the William & Mary style by Charles Bender was published in the April 2010 Popular Woodworking.

Kari Hultman's article on reclaimed sunken mahogany appears in the April 2010 Popular Woodworking.

Jerome Bias has written about free black cabinetmaker Thomas Day for the Arts & Mysteries column in the April 2010 Popular Woodworking.

Tony Kubalak's bombé chest is featured in the Reader's Gallery section of the April 2010 issue of Fine Woodworking.

Dennis Chilcote's Shaker-inspsired basket appears in the Reader's Gallery section of the April 2010 issue of Fine Woodworking.

In the April 2010 issue of Fine Woodworking, Jeff Headley describes how he makes and installs fluted quarter columns.

Stulmacher's Tools

The Chairmaker Part II

II. The tools of the chairmaker have a significant relationship with the tools of the cabinetmaker and, also in part with the cartwright except that they sometimes bear different names in the shop of the cabinetmaker. At the same time there are some peculiar tools (to the chairmaker) that one will not meet with in other workshops. To this group belongs the first tool:

1. The froe (Spaltklinge) table IV, fig. II. It is made completely of iron, about 11 inches long, 5 to 6 inches wide in the blade, and an inch thick in its strong back. The size and weight is, because of the purpose of this instrument, very useful. With this blade the chairmaker splits large blocks of wood into smaller pieces.

2. His hatchet (Handbeil), fig. I, differs from a common hatchet of a double type. Partly in that it has a curved handle, because the chairmaker must often trim wide lumber where a straight handle would be in his way, and partly in that it's longer bit is cut out underneath opposite the handle so that when trimming, the hand of the professional is not hindered from grasping the hatchet as required. In addition it is also somewhat larger than the regular hatchet.

3. The saws of these woodshops differ for the most part only in their size one from another. The blade of the frame saw (Schulpsäge) is fixed in the middle of its frame like the blade of the (Klobensäge, literally "log saw").1 In the workshops of the cabinetmaker and cartwright, p. 140, this saw (the Schulpsäge) is most advantageous for cutting up large pieces of wood. However, local chairmakers never employ this type of saw because they obtain their wood in the form of boards that are already sawn, unlike the chairmakers in coastal cities. On the other hand, the Berlin chairmaker cuts his largest pieces of wood with a large bow saw (Handsäge, literally "hand saw") that in their workshop is called a (Faustsäge, literally "fist saw") p. 140.2 Somewhat smaller, both in the design of the width of the blade as well as the frame, is the "round saw" (Rundsäge), which is referred to by the cabinetmaker as the turning saw (Schweifsäge, literally "shallow curve saw"). Even shorter is the Abkurtzsäge, (literally "cut off saw"), with which the cabinetmaker cuts off small pieces from the lumber. The smallest saw is lastly the Pinnensäge, (literally "pin saw") with which the chairmaker cuts not only the width of the tenons, but also the excess length and thickness can be trimmed according to measurement (reducing thereby the tenon considerably).3 These last four saws all belong to the family of "hand saws" (Handsäge).

1 On page 140 of volume in the Cartwright chapter, Sprengel describes the Klobensäge as a stout frame 4 to 5 feet long and half as wide. A 4" blade with upright teeth is fastened in the middle of the frame with two iron extensions (bolts) and can be adjusted with the help of a key (wrench). It is used, according to Sprengel, to cut up stout pieces of wood along the grain into boards or heavy pieces. Sprengel describes the Klobesäge in the Cabinetmaker chapter as pulled by two people, and used to cut boards and especially veneer from large walnut timbers. The Schulpsäge used by some chairmakers is evidently a smaller version.

2 This "fist saw" and the others that follow Sprengel refers to as "hand saws." They are not the wide bladed "hand saws" used by British and American woodworkers, but variations of what we refer to as bow saws.

3 This last and smallest of the bow saws described by Sprengel is defined by most German-English references as a tenon saw because of its application.  This is again a small bow saw, not the back saw used by English and American woodworkers that they refer to as a tenon saw.

 


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