American Period Furniture 2007  Online Extras

SAPFM Members
in the News

Corona Plumosa by Nancy R. Hiller will be included in the Indiana State Museum's studio furniture exhibition, scheduled to run from October 2013 through June 2014. Using a blind jury process, Professor Wendy Maruyama of San Diego State University selected 23 outstanding examples of functional studio pieces by Indiana artists in traditional and contemporary designs.

The Highland Woodworker’s first Moment with a Master of the 2013 season features 2008 SAPFM Cartouche award recipient Alf Sharp. Find out how Alf’s fascination with the centerfold of a British secretary attracted him to furniture making. Learn more as we visit with Alf in his Tennessee home and shop on the next Highland Woodworke, available after February 23 at Highland Woodworker.

Mary May describes how to carve foliage on a spindle in an article in Popular Woodworking. "Carving an Acanthus Leaf on a Turned Post" is in the October 2012 issue.

Nancy Hiller has an article in the September/October issue of Fine Woodworking (#228), "Arts & Crafts With an English Accent" The article details the making of a writing desk that she designed based on original circa-1903 drawings of washstands produced by the Harris Lebus furniture company of London. Nancy found copies of the plans at the Geffrye Museum in Hackney and obtained scans of the original drawings through the National Archives.

Freddy Roman shows how to quickly plot an ellipse using simple geometry in the August 2012 Popular Woodworking.

Charles Bender explains three variations of the trifid carved foot prevalent in Philadelphia in the August 2012 Popular Woodworking.

In the July/Aug 2012 issue of Fine Woodworking, Alan Turner describes how to make crosscut sleds for the table saw to accommodate a variety of cutting applications.

W. Mickey Callahan shows how he uses an overarm jig at the router table to produce curved mouldings with complex profiles. His article appears in the July/Aug 2012 issue of Fine Woodworking.

Eight members of SAPFM have been selected into Early American Life Magazine's 2012 Directory of Traditional American Crafts. Their work and contact information appear in the August 2012 issue. Congratulations to Dennis Bork, Vincent Chicone, David Diaman, Benjamin C. Hobbs, Tony Kubalak, Bob Stevenson, Matthew Wolfe and Fred Chellis !

Stulmacher's Tools

The Chairmaker Part II

II. The tools of the chairmaker have a significant relationship with the tools of the cabinetmaker and, also in part with the cartwright except that they sometimes bear different names in the shop of the cabinetmaker. At the same time there are some peculiar tools (to the chairmaker) that one will not meet with in other workshops. To this group belongs the first tool:

1. The froe (Spaltklinge) table IV, fig. II. It is made completely of iron, about 11 inches long, 5 to 6 inches wide in the blade, and an inch thick in its strong back. The size and weight is, because of the purpose of this instrument, very useful. With this blade the chairmaker splits large blocks of wood into smaller pieces.

2. His hatchet (Handbeil), fig. I, differs from a common hatchet of a double type. Partly in that it has a curved handle, because the chairmaker must often trim wide lumber where a straight handle would be in his way, and partly in that it's longer bit is cut out underneath opposite the handle so that when trimming, the hand of the professional is not hindered from grasping the hatchet as required. In addition it is also somewhat larger than the regular hatchet.

3. The saws of these woodshops differ for the most part only in their size one from another. The blade of the frame saw (Schulpsäge) is fixed in the middle of its frame like the blade of the (Klobensäge, literally "log saw").1 In the workshops of the cabinetmaker and cartwright, p. 140, this saw (the Schulpsäge) is most advantageous for cutting up large pieces of wood. However, local chairmakers never employ this type of saw because they obtain their wood in the form of boards that are already sawn, unlike the chairmakers in coastal cities. On the other hand, the Berlin chairmaker cuts his largest pieces of wood with a large bow saw (Handsäge, literally "hand saw") that in their workshop is called a (Faustsäge, literally "fist saw") p. 140.2 Somewhat smaller, both in the design of the width of the blade as well as the frame, is the "round saw" (Rundsäge), which is referred to by the cabinetmaker as the turning saw (Schweifsäge, literally "shallow curve saw"). Even shorter is the Abkurtzsäge, (literally "cut off saw"), with which the cabinetmaker cuts off small pieces from the lumber. The smallest saw is lastly the Pinnensäge, (literally "pin saw") with which the chairmaker cuts not only the width of the tenons, but also the excess length and thickness can be trimmed according to measurement (reducing thereby the tenon considerably).3 These last four saws all belong to the family of "hand saws" (Handsäge).

1 On page 140 of volume in the Cartwright chapter, Sprengel describes the Klobensäge as a stout frame 4 to 5 feet long and half as wide. A 4" blade with upright teeth is fastened in the middle of the frame with two iron extensions (bolts) and can be adjusted with the help of a key (wrench). It is used, according to Sprengel, to cut up stout pieces of wood along the grain into boards or heavy pieces. Sprengel describes the Klobesäge in the Cabinetmaker chapter as pulled by two people, and used to cut boards and especially veneer from large walnut timbers. The Schulpsäge used by some chairmakers is evidently a smaller version.

2 This "fist saw" and the others that follow Sprengel refers to as "hand saws." They are not the wide bladed "hand saws" used by British and American woodworkers, but variations of what we refer to as bow saws.

3 This last and smallest of the bow saws described by Sprengel is defined by most German-English references as a tenon saw because of its application.  This is again a small bow saw, not the back saw used by English and American woodworkers that they refer to as a tenon saw.

 


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