American Period Furniture 2007  Online Extras

SAPFM Members
in the News

Brian Coe has written about a Moravian Christmas pyramid and describes how to make one in the 2008 Christmas issue of Early American Life.

Mary May's carving career is the subject of a feature article in the October 2008 issue of Woodshop News.

Al Hudson's work is featured in the October/November 2008 issue of American Woodworker Magazine.

Ed Stuckey's Federal demi-lune card table appears in the December 2008 issue of Woodwork magazine.

Tony Kubalak has won the Best Traditional Design Award from the Minnesota Woodworking Guild. Tony exhibited a Philadelphia Queen Anne side chair. You can read more about Tony's honor and the chair in the August issue of Woodshop News.

Congratulations to the following SAPFM members who appear in Early American Life's 23rd Directory of Traditional Crafts: Dennis Bork, James King, Tony Kubalak, Paul Rulli, Mark Soukup, Duane Wendling, Fred Chellis, Brian Cunfer, and Jim Van Hoven. Cartouche Award winner Gene Landon served as one of the judges for this year's Directory.

Eight pieces of Bob Whitley's work from the Michener Art Museum's retrospective exhibit appear in the Gallery of the August 2008 issue of Woodwork magazine.

Walt Segl's shop is featured in an eight-page spread in WOOD magazine's special interest publication America's Best Home Workshops 2008.

Jeff Headley explains how to make a veneered serpentine drawer front with cockbeading in the July/August 2008 Fine Woodworking. In the Master Class feature, Jeff shows how to apply stringing to the same serpentine shape. Joel Ficke and W. Patrick Edwards have work featured in the Reader's Gallery.

Joshua Lane, Co-curator of Historic Deerfield, is mentioned in the May 2008 Magazine Antiques for his role in organizing the exhibition Into the Woods: Crafting Early American Furniture. The exhibition runs through 2012. Visit Historic Deerfield for more information.

Phil Lowe's McIntire armchair, Frank Woolley's serpentine bombé, and Mike Greenberg's collectibles box appear in the Gallery section of the June 2008 issue of Fine Woodworking.

Joel Moskowitz explains how he hollow grinds chisels in the June 2008 issue of Fine Woodworking.

Steve Latta compares 16 different marking knives in the June 2008 issue of Fine Woodworking.

Robert Whitley's furniture is featured through June 1 in a retrospective of his work at the Michener Art Museum. Robert is the 2002 Cartouche Award winner.

Mark Arnold writes about the Peabody Essex Museum's The Art of Woodcarving in America exhibit in the June 2008 issue of Woodwork Magazine.

Tony Kubalak's serpentine bombé and Joel Ficke's Philadelphia high chest appear in the Gallery section of the June 2008 issue of Woodwork Magazine.

Steve Latta writes about reproducing moldings in the April 2008 issue of Fine Woodworking.

Alf Sharp, 2008 Cartouche Award recipient is featured in the March issue of Woodshop News.

Peter Howell's workshop is featured in the February/March 2008 issue of Woodcraft Magazine.

Patrick Edwards writes about painting in wood in February 2008 issue of Fine Woodworking.

Stulmacher's Tools

The Chairmaker Part II

II. The tools of the chairmaker have a significant relationship with the tools of the cabinetmaker and, also in part with the cartwright except that they sometimes bear different names in the shop of the cabinetmaker. At the same time there are some peculiar tools (to the chairmaker) that one will not meet with in other workshops. To this group belongs the first tool:

1. The froe (Spaltklinge) table IV, fig. II. It is made completely of iron, about 11 inches long, 5 to 6 inches wide in the blade, and an inch thick in its strong back. The size and weight is, because of the purpose of this instrument, very useful. With this blade the chairmaker splits large blocks of wood into smaller pieces.

2. His hatchet (Handbeil), fig. I, differs from a common hatchet of a double type. Partly in that it has a curved handle, because the chairmaker must often trim wide lumber where a straight handle would be in his way, and partly in that it's longer bit is cut out underneath opposite the handle so that when trimming, the hand of the professional is not hindered from grasping the hatchet as required. In addition it is also somewhat larger than the regular hatchet.

3. The saws of these woodshops differ for the most part only in their size one from another. The blade of the frame saw (Schulpsäge) is fixed in the middle of its frame like the blade of the (Klobensäge, literally "log saw").1 In the workshops of the cabinetmaker and cartwright, p. 140, this saw (the Schulpsäge) is most advantageous for cutting up large pieces of wood. However, local chairmakers never employ this type of saw because they obtain their wood in the form of boards that are already sawn, unlike the chairmakers in coastal cities. On the other hand, the Berlin chairmaker cuts his largest pieces of wood with a large bow saw (Handsäge, literally "hand saw") that in their workshop is called a (Faustsäge, literally "fist saw") p. 140.2 Somewhat smaller, both in the design of the width of the blade as well as the frame, is the "round saw" (Rundsäge), which is referred to by the cabinetmaker as the turning saw (Schweifsäge, literally "shallow curve saw"). Even shorter is the Abkurtzsäge, (literally "cut off saw"), with which the cabinetmaker cuts off small pieces from the lumber. The smallest saw is lastly the Pinnensäge, (literally "pin saw") with which the chairmaker cuts not only the width of the tenons, but also the excess length and thickness can be trimmed according to measurement (reducing thereby the tenon considerably).3 These last four saws all belong to the family of "hand saws" (Handsäge).

1 On page 140 of volume in the Cartwright chapter, Sprengel describes the Klobensäge as a stout frame 4 to 5 feet long and half as wide. A 4" blade with upright teeth is fastened in the middle of the frame with two iron extensions (bolts) and can be adjusted with the help of a key (wrench). It is used, according to Sprengel, to cut up stout pieces of wood along the grain into boards or heavy pieces. Sprengel describes the Klobesäge in the Cabinetmaker chapter as pulled by two people, and used to cut boards and especially veneer from large walnut timbers. The Schulpsäge used by some chairmakers is evidently a smaller version.

2 This "fist saw" and the others that follow Sprengel refers to as "hand saws." They are not the wide bladed "hand saws" used by British and American woodworkers, but variations of what we refer to as bow saws.

3 This last and smallest of the bow saws described by Sprengel is defined by most German-English references as a tenon saw because of its application.  This is again a small bow saw, not the back saw used by English and American woodworkers that they refer to as a tenon saw.

 


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