American Period Furniture 2007  Online Extras

SAPFM Members
in the News

Justin Kauffman won Best in Show in the Traditional Body of Work category at the Milwaukee Fine Furnishing's Show.

Glen Jewell's shop is featured in the America's Top Shop series in the October/November issue of Woodcraft Magazine.

Brian Coe has written about a Moravian Christmas pyramid and describes how to make one in the 2008 Christmas issue of Early American Life.

Mary May's carving career is the subject of a feature article in the October 2008 issue of Woodshop News.

Al Hudson's work is featured in the October/November 2008 issue of American Woodworker Magazine.

Ed Stuckey's Federal demi-lune card table appears in the December 2008 issue of Woodwork magazine.

Tony Kubalak has won the Best Traditional Design Award from the Minnesota Woodworking Guild. Tony exhibited a Philadelphia Queen Anne side chair. You can read more about Tony's honor and the chair in the August issue of Woodshop News.

Congratulations to the following SAPFM members who appear in Early American Life's 23rd Directory of Traditional Crafts: Dennis Bork, James King, Tony Kubalak, Paul Rulli, Mark Soukup, Duane Wendling, Fred Chellis, Brian Cunfer, and Jim Van Hoven. Cartouche Award winner Gene Landon served as one of the judges for this year's Directory.

Eight pieces of Bob Whitley's work from the Michener Art Museum's retrospective exhibit appear in the Gallery of the August 2008 issue of Woodwork magazine.

Walt Segl's shop is featured in an eight-page spread in WOOD magazine's special interest publication America's Best Home Workshops 2008.

Jeff Headley explains how to make a veneered serpentine drawer front with cockbeading in the July/August 2008 Fine Woodworking. In the Master Class feature, Jeff shows how to apply stringing to the same serpentine shape. Joel Ficke and W. Patrick Edwards have work featured in the Reader's Gallery.

Joshua Lane, Co-curator of Historic Deerfield, is mentioned in the May 2008 Magazine Antiques for his role in organizing the exhibition Into the Woods: Crafting Early American Furniture. The exhibition runs through 2012. Visit Historic Deerfield for more information.

Phil Lowe's McIntire armchair, Frank Woolley's serpentine bombé, and Mike Greenberg's collectibles box appear in the Gallery section of the June 2008 issue of Fine Woodworking.

Joel Moskowitz explains how he hollow grinds chisels in the June 2008 issue of Fine Woodworking.

Steve Latta compares 16 different marking knives in the June 2008 issue of Fine Woodworking.

Robert Whitley's furniture is featured through June 1 in a retrospective of his work at the Michener Art Museum. Robert is the 2002 Cartouche Award winner.

Mark Arnold writes about the Peabody Essex Museum's The Art of Woodcarving in America exhibit in the June 2008 issue of Woodwork Magazine.

Tony Kubalak's serpentine bombé and Joel Ficke's Philadelphia high chest appear in the Gallery section of the June 2008 issue of Woodwork Magazine.

Steve Latta writes about reproducing moldings in the April 2008 issue of Fine Woodworking.

Alf Sharp, 2008 Cartouche Award recipient is featured in the March issue of Woodshop News.

Peter Howell's workshop is featured in the February/March 2008 issue of Woodcraft Magazine.

Patrick Edwards writes about painting in wood in February 2008 issue of Fine Woodworking.

Stulmacher's Tools

The Chairmaker Part III

The rear rail, d & l, and shoe rail, i & k, are usually straight and smooth pieces of wood the tenons of which are marked and cut with the "tenon saw" after the rails are planed. The chairmaker measures the thickness of the tenon with a pair of dividers (Handcirkel) from the measurement of the mortise. The crest rail, e & g, is more artistically made since it usually receives a curve on its upper edge, or is even also decorated with relief carving on the front. The chairmaker cuts out the curves according to the dimensions of the pattern with the turning saw after he has planed similar pieces on all four sides. In the process of cutting the curve with the saw there often remains rough surfaces that the chairmaker smooths along the curves with the draw knife. Because he cannot apply the plane to such a curve, he must therefore rasp the ridges of the curves with a rasp, scrape with the scraper, fig. XIII, and lastly rub with the fish skin to achieve complete smoothness. This latter skin has a sharp grain that initially reduces the roughness of the wood like a file and eventually, when dull, polishes. It's called in this workplace a shark skin because it is the skin of a shark. By this opportunity one observes once and for all that the chairmaker works and smooths all surfaces of the wood that he's not able to plane in the following manner: with the draw knife and with the rasp, the scraper and the draw blade (Ziehklinge)11, and the shark skin. Up till now the crest rail, e & g, was fastened on both back stiles somewhat differently. One cuts mainly the back stiles at e & g, or more clearly stated, one chiseled a mortise along the whole width, e & r, of the back stiles and at the same time gave the crest rail a tenon along its entire width. However, sometimes in this situation the top of both tenons of the crest rail is noticeable to the eye and sticks out awkwardly against the seam of the back stiles, and the joinery is, in part, not durable. Therefore, now both back stiles are tenoned into the crest rail. The splat, r & s, like the back of the stiles, e & d, is cut out in a curve and planed in the same manner, p. 198. It is mortised into the crest rail, e & g, and the shoe rail, i & k, and lastly is curved at the high edge of both sides, as was just previously described concerning the crest rail. As soon as the imagined pieces here described have been made, the chairmaker glues the tenons of the back(seat) rail, d & l, and the shoe rail, i & k, in both back legs, e & f and g & h, and clamps the latter on a jointer's bench between two bench dogs (Bankhaken), p. 145, by which the tenons of both back rails are exactly pressed into the back legs. After the former assembly has sufficiently dried, he then glues the splat, r & s, in the shoe rail, i & k, and the crest rail onto the tenons, e & g, of the back legs and the splat, r, and presses these pieces together with two bar clamps, fig. XIV. He places the foot, f & g, of these bar clamps under the shoe rail, fig. XVII, i, k, and positions the screw on the crest rail, fig, XVII, e, g. He always places blocks of wood between the foot, i & f, Fig. XIV, as well as the screw, e, and the assembled pieces so that the pieces aren't damaged by the screw.

11 This is the same tool as the scraping blade (Shabklinge), fig. XI.


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