American Period Furniture 2007  Online Extras

SAPFM Members
in the News

Bob VanDyke writes about the discipline required to run a woodworking school in the Pro Shop column in the July 2010 issue ofWoodshop News.

Alan Turner describes how he builds a cabinetmaker's bench in the June/July issue of American Woodworker. He also writes about tapping wood with machine screw threads to make shop jigs.

Justin Kauffman won the Best in Show Award for body of work at the Baltimore Fine Furnishings Show in May.

Craig Bentzley writes about techniques for aging cherry in the June/July 2010 issue of Woodcraft Magazine.

Dennis Chilcote consulted for an article on basket making in the June/July 2010 issue of Woodcraft Magazine.

Herb Lapp's article on Philadelphia Windsor chairmaker Joseph Henzey appears in the April 2010 New England Antiques Journal.

An article on the William & Mary style by Charles Bender was published in the April 2010 Popular Woodworking.

Kari Hultman's article on reclaimed sunken mahogany appears in the April 2010 Popular Woodworking.

Jerome Bias has written about free black cabinetmaker Thomas Day for the Arts & Mysteries column in the April 2010 Popular Woodworking.

Tony Kubalak's bombé chest is featured in the Reader's Gallery section of the April 2010 issue of Fine Woodworking.

Dennis Chilcote's Shaker-inspsired basket appears in the Reader's Gallery section of the April 2010 issue of Fine Woodworking.

In the April 2010 issue of Fine Woodworking, Jeff Headley describes how he makes and installs fluted quarter columns.

Stulmacher's Tools

The Chairmaker Part III

4. The so called Grandfather Chairs are, at present, commonly manufactured as a large plain chair, and have cheeks in addition to arm rests and supports. The entire chair is upholstered. Its back is either stationary, or one can recline. In the latter case the back is either fastened at the seat and behind has a foot with which it can be supported, or has straps fastened to the posts. The last are called "watch chairs" (Wachtstühle). To this type of chair also belongs the "Bercere." It is a Grandfather Chair with a strong inclined back in front of which is fastened a stool (Tabourett) so that an invalid can place his feet on it.

5. The Revolving Chair (Drehstühl) and the Field Chair (Feldstühl) are not at all as common as the above. The Revolving Chair can turn on a base and the feet of the base commonly have castors. It is comfortable at a writing desk.

6. The daybed (Ruhebett) has recently gone out of fashion. It is similar to a sofa except that it has no back, but like the sofa it has short narrow sides at both ends. It is upholstered.

7. The settee (Canape) is a broad chair which seats two to four persons. It is, like the armchair, 15 or 16 inches high and receives on each broad side an armrest with support. It can be caned or upholstered.

8. The sofa is only 13 inches high, in the seat 5½ [inches], and above (in its upper frame) 7 to 7½ feet long. It receives on each narrow side an end piece, fig. XIX, e c and g c. It is always upholstered and in the end pieces lays a cushion.

9. Fashion has finally brought in a new kind of sofa that is called an Ottoman. They don't differ too much from the sofa except that the end pieces are rounded in their width to the outside and hollow in the inside. From these examples the manufacture of certain chairs should now be understood thoroughly, making the work of the chairmaker more comprehensible.


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